Cameroon music, after several years of
"hibernation" the country of Manu Dibango has gradually began to
regain its place in the top 10 nations in the African music market. This
success is characterized by the emergence of a new generation of artists. For a
long time, Cameroonian music has occupied a place in the African musical
sphere according to the world view. It however did die down at some point.
As it was the case of the earlier Cameroon generation, in
the four corners of the globe, Cameroon's music has always been sought either
at major world festivals, sports competitions or in African clubs.
Several factors contributed to this excitement particularly
ethnic diversity represented through works produced. Reorganization of the
talent of pioneers like Manu Dibango (considered the largest and famous
saxophonist in the world), Richard Bona (one of the best bassists on the
planet), Small country, Grace Decca etc, could not be over emphasized.
Over the years, the African and global success of
Cameroonian artists experienced a fall, which some explained by the lack of
reports, but also by a lack of cultural policy to encourage young artists to
enable their return on African and world stages
A success illustrated by the rise of a new generation
inspired by traditional rhythms coiled to the taste of modern music such as hip
hop, dancehall, reggae and all sorts of urban music, many artists have managed
to become one of the best hopes of the African continent in Cameroon.
Franko, Maahlox, X-Malea, Locko, Jovi Lemonster, Dynasty
tiger, Salatiel, Daphne, Magasco, Neglect, coolkid, Mr. Leo and Stanley Enow just
to name a few are perfect examples of this musical revolution made in Cameroon.
Their styles eventually make these young stars whose originality in lyrics and
style "overheat" the dance floor.
The recognition of our upcoming artists by other top African
artists and world artists like MI Abaga of Nigeria going crazy in love withRoqzen’s woso and Kevin Lyttle hyping Benzil’s performance is just the light we
see clearly at the end of the tunnel.
At this wave of artists in modern style, there are other names
that export local rhythms such as Lady Ponce, Mani Bella, Coco silver etc.
It has been Proven globally by successful artists from the
country of Samuel Eto'o, as 2015 was illustrated by rewards of several names in
Mboa music (music made in Cameroon) or by concerts in legendary venues like the
Olympia in Paris and nominations at the MTV base awards inSA
To this end, Stanley Enow and CHARLOTTE DIPANDA received
respectively the award for best male artist and best female artist of Central
Africa at the Afrima festival in the sub region.
As for concerts, Cameroon was honored everywhere especially
in France where many artists performed at the Olympia and some others in Bercy.
Further still, the X-Maleya group managed to do a world tour with dates in
major concert halls of Europe.
Music has often played a major role in tourism development
of nations. Cameroon has long benefited from the success of its artists to
attract tourists in the country.
Music has long been a glory that was to make the land of
Samuel Eto'o, a destination of choice.
However, despite the evident growth in the music industry
how is the cultural platform of the nation(the government and private
enterprises )of Cameroon aiding in this growth?
This song is a song that cuts across the several Cameroon and African feel of music..Enjoy
Thats quait a revolution but the big question remains un-answered whats the Cameroonian gov dox
ReplyDeleteAnother question. Does the new generation have a unique Cameronian sound, like the aeriat before them did. ?
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